Tinker Tailor Soldier Spy review

Based on the 1974 novel by John le Carré, Tinker Tailor Soldier Spy is a gripping espionage thriller set at the height of Cold War paranoid.

Directed by Swedish filmmaker Tomas Alfredson with screenplay from the late Bridget O’Connor and Peter Straughan, the film adaption takes a different approach to the classic BBC television series starring Sir Alec Guinness.

When an agent (Mark Strong as Jim Prideaux) is shot while on a mission in Budapest, Control (led by the superb John Hurt) realises that there must be a Russian mole in the British Secret Intelligence Services and asks his former officer George Smiley (the impressive Gary Oldman) to come out of retirement to investigate.

Aided by Peter Guillam (played by the talented theatre actor Benedict Cumberbatch) and retired researcher Connie Sachs (the scene-stealing Kathy Burke), Smiley uncovers the identity of the Russian mole, which seems to involve rogue agent Ricky Tarr (the excellent Tom Hardy), who fell in love with a Russian woman (Svetlana Khabenskiy) while undercover behind the Iron Curtain.

As they unravel Control’s chain of suspicions, Smiley and Guillan begin to narrow down four possible colleagues featuring the codename “Tinker” (Toby Esterhase played by David Dencik), “Tailor” (Bill Haydon, performed by the BAFTA-winning actor Colin Firth), “Soldier” (Roy Bland, featuring the superb Irish talent of Ciarán Hinds) and “Poorman” (Percy Alleline played by Toby Jones).

I enjoyed every moment in Tinker Tailor Soldier Spy. The cinematography is a work of art thanks to Hoyte Van Hoytema, who also shot Tomas Alfredson’s Let the Right One In.

The soundtrack is great too, in the way it builds up a sense of drama and tension during key scenes in the film. As for the performances by the talented cast, it’s difficult to fault anyone in this gorgeous 1970s period of paranoid and suspicion but obviously it is Gary Oldman who is the main highlight in Tinker Tailor Soldier Spy. His utterly compelling performance as Smiley is fantastic and it is not a surprise to hear Oldman as a likely candidate to win next year’s Oscar for best actor.

Alfredson’s direction is assured throughout the film, allowing the pieces of information to fit together slowly like an exceedingly complex jigsaw puzzle where you don’t see the whole picture until the final piece is played out. The director also orchestrates some terrific sequences, such as Guillam attempting to steal some important files from under the noses of his colleagues followed by a heart-stopping scene that hinges on the inspired use of George Formby’s Mr. Wu’s a Window Cleaner Now.

Impressively directed and beautifully shot, this is a gripping spy story with a satisfyingly intelligent script, with some superb production design work and terrific performances from a wonderful British cast. Highly recommended.