Bauer is back! 24: REDEMPTION and new series update

Bauer 24 Redemption

Welcome back the all-America action hero that is Jack Bauer. Next week on Sky 1 (on November 24th no less!) a special two-hour prequel movie that bridges the gap between Days 6 and 7 of 24 returns to the screen.

In 24: REDEMPTION we catch up with Jack Bauer (Kiefer Sutherland) on the African continent where he has sought solace in missionary work. He soon finds himself in the midst of a bloody uprising in the fictitious African nation of Sangala where a ruthless dictator is drafting innocent children to serve as soldiers in his army. As the vicious Colonel Dubaku (Hakeem Kae-Kazim) descends on an orphanage in search of recruits, Jack enters into a one-man crusade at the behest of his friend Carl Benton (Robert Carlyle) to rescue the children and get them to safety.

Check out the new trailer and the behind-the-scene photographs to 24: REDEMPTION on the Sky 1 website. It all looks really exciting and I for one cannot wait for some Bauer action! As for the regular television series, read this full extract on what to expect in Day 7. WARNING: contains spoilers!

24 Day 7

It seems like it’s been about five years since we last caught up with 24’s Jack Bauer. When last we saw him, he was staring off into the distance at the very edge of a cliff… and has remained doing so since last winter’s writers strike delayed the start of 24’s Day Seven by a year.

However, fans of 24 will get a glimpse into the life of Jack Bauer this fall when FOX airs the two-hour 24 prequel telefilm, 24: Exile, which follows Jack in Africa as he takes on the ripped-from-the-headlines issue of child soldiers.

Fans at the 24 panel at Comic-Con were treated not only to 24: Exile’s trailer–which features lots of familiar faces including Kiefer Sutherland, Peter MacNicol, and Powers Boothe, but also first female president Cherry Jones, Jon Voight, Robert Carlisle, and Gil Bellows–but also to a look at a full scene from the prequel movie, in which Jack shepherds a group of African children to the US embassy but finds himself caught in a full-blown gunfight on a crowded street. In addition to the gunfire, it’s also a deeply emotional scene, in which Jack is forced to tell a sobbing African child that his beloved teacher, Mr. Benton, sacrificed himself in order to ensure their safety.

Kiefer Sutherland and Carlos Bernard, who returns as presumed dead Tony Almeida for Day Seven, were on hand, along with executive producers Jon Cassar, Howard Gordon, David Fury, Manny Coto, and new writing staff additions Brandon Braga and Carlos Coto. Gordon explained that the “genesis” of 24: Exile originally came about when they were exploring doing some webisodes or mobisodes for 24 and he and Sutherland began riffing about an African storyline that had been discarded from a previous season; those discussions ended up informing what would become 24: Exile. “It turned out to be a very good idea,” said Gordon. “Day Six ended with Jack at the edge of the cliff, a very existential moment… but an emotional bridge was missing [from the season finale].”

Cassar said that the studio originally intended to shoot for three days in South Africa and then shoot the rest of the two-hour Exile in Simi Valley, California, which would have been a “hard cheat.” FOX ended up telling them to shoot the entire thing in South Africa, which was “tough,” as they had to get a new crew and new actors, but Cassar admitted that the process was “pretty exciting… being there gave it a whole new feeling.”

For Sutherland, 24: Exile was definitely exciting. “It was arguably one of the best scripts we’ve ever had,” said Sutherland. “We weren’t racing against some clock to get it to air.”

As for the issue of the strike, Manny Coto said that it was a mixed blessing but it “allowed us the freedom and creativity to make the season even deeper.”

As for the depth of Day Seven, we do know that it involves the first female president of the United States, who will be played by celebrated Broadway actress Cherry Jones, and the return of fan favourite character Tony Almeida (Carlos Bernard).

For his part, Bernard says he jumped at the opportunity to work with the 24 again, due to the “amazing mixture of talented people who make this show” and said he had the “funniest year yet working on the show.”

So what does it mean that Tony has seemingly returned from the dead? Gordon joked that it “very well could be a measure of our desperation that he’s back,” and noted that on paper at least Tony had been killed four times over the series’ run. Producers David Fury and Manny Coto, however, refused to accept Tony’s final death (which seemed to be sticking), saying that they didn’t believe that Tony was dead; even Gordon admitted that he didn’t love the way that Tony had died.

For Sutherland, Tony’s death was a reminder that none of the characters is safe. “The most difficult thing during the run of the show,” said Sutherland, “is working with talented actors who leave the show. Everything has to service the story. When Howard Gordon brought up that Tony was coming back again, I asked, ‘How?'”

The secret behind Tony’s return will be a major component of Day Seven. Sutherland says the method by which he’s returned to the series is “so clever” and “very 24.” The back-story will be a function of how Tony didn’t actually die and what was done behind people’s backs in order to secretly keep him alive and fake his death. “I think the writers did an amazing job,” said Sutherland.

As for what to expect from Day Seven, launching in January, Sutherland joked that Tony will die. But more honestly, Sutherland said, “We’re not trying to reinvent the show… [But] make it better, tighter, and smarter and that’s hopefully what you’ll see in the seventh season.”

As for Jack, “he’s trying to be better,” said Sutherland. New cast additions include Cherry Jones, Jon Voight, Annie Wersching (who will play Jack’s new partner, a tough-as-nails FBI agent who could be perceived as a “female Jack Bauer”), Rhys Coiro, and Janeane Garofalo.

Audiences will see Jack Bauer have to answer for the torture he’s inflicted on several characters throughout the series’ run. David Fury says that they are never “endorsing torture” but are showing that Jack’s use of torture will have consequences. “It’s kind of necessary for people to get hurt,” said Fury about the series.

What we won’t be seeing in Day Seven, however, is Jack pausing to grab a cup of coffee, use the toilet, or grab a sandwich. In fact, Sutherland and Gordon revealed that they had shot a scene in a previous season in which Jack was seen coming out of the restroom before a raid and the network cut the scene. “Whenever they cut to the White House,” joked Sutherland, “Jack is in the bathroom. And not only is he peeing, he’s having a drink and getting something to eat.”

As for favourite episodes, Sutherland diplomatically says that he’s “optimistic about that future” and therefore they haven’t made his favourite yet but that 24: Exile is “certainly up there.” He’s also extremely proud of episodes 8-11 of Day Seven. (His coolest moment on the series to date, however was when he “chopped off that guy’s head off in Season Two.”)

Bernard seconded the notion, saying that his favourite was definitely from Day Seven. As for Tony being evil, Bernard said that the transformation for Tony from hero to villain is “very organic from where his story has gone since the beginning.” Sutherland says that the first scene he shot with Bernard this season, “I got to shoot at him and tackle him. I loved it.”

So what’s going on with those rumours of a 24 feature film? Gordon says that the basic consensus is that “while the series is on the air, I don’t want to mess with a good thing,” but that a 24 feature will happen when the series wraps.

It all sounds great. Still no news on the exact date when Day 7 returns to the British screen but it is being shown in America from January 11th 2009. Hopefully, Sky 1 will be showing the new series not far behind so we can experience Jack Bauer’s new stressful day.

Quantum of Solace review

Daniel Craig Quantum of Solace

After the success of Casino Royale, where Commander James Bond earned his ‘double-0’ status and the license to kill, the direct sequel to the 2006 hit film that is Quantum of Solace proves to be a big disappointment.

The twenty-second Bond film from EON Productions, picks up almost an hour after the final scene in Casino Royale, where 007 is involved in a thrilling car chase.

This action sequence seems to set the mood in Quantum of Solace with exciting chases, gun action and impressive stunts. Unfortunately, after this opening scene the film lacks the thrill and drama due to the poor pacing. It doesn’t help that the story continues from Casino Royale, where Bond is seeking revenge for the death of Vesper Lynd.

Daniel Craig once again plays the British secret agent and his performance continues to impress. He could easily be ranked – along with Sean Connery – as the best portray of Ian Fleming’s spy. Though it is quite remarkable that the Bond character played by Craig has changed so much from Casino Royale to the Quantum of Solace.

In the first film, he still had the charisma from the other previous Bonds but with a more gritty realistic side to the character. In the Quantum of Solace, it seems the writers just couldn’t decide if he’s motivated by revenge or seeking solitude. Craig’s second appearance reveals a more arrogant attitude that he becomes barely recognisable as Bond anymore… It seems he has became Jason Bourne and this is not surprising, as most of the action sequences feel likes it is taken from the Bourne films.

Some of these scenes do look good with quick editing/camera work followed by brutal, devastatingly fistfights and chases. But this style of filming just doesn’t fit in the style of previous Bond films. I believe director Marc Foster, who was behind such acclaim hits with Finding Neverland and The Kite Runner, wanted to continue the gritty feel set by Casino Royale, but it fails to generate excitement.

As for the supporting cast, Dame Judi Dench returns as M but she feels unease by Bond’s action as he travels around the world searching for answers behind the secret organisation known as Quantum.

Dominic Greene, a member of this secret organisation, is played by the award-winning French actor Mathieu Amalric. Greene’s idea of taking control over Bolivia’s water supply can be seen as quite tame by evil villain standards but he remains a threat to 007.

Olga Kurylenko plays Camille Montes, a Russian-Bolivian agent who also has a grudge against Greene and Quantum. When she and Bond meet, the chemistry is there and it certainly sizzles up on the big screen. Kurylenko is no typical Bond girl as she is capable of some action and was able to demonstrate this in some scenes with some brutal fighting sequences.

As for Gemma Arterton, playing the role of MI6 agent Strawberry Fields, her cameo was quite brief and not that memorable unfortunately.

In summary, the Quantum of Solace promises so much but fails to deliver in terms of drama and spectacle. With a running time of 106 minutes, this is the shortest Bond film in the series. I really hope James Bond returns in the next film back to his truth self and not a clone of Jason Bourne following this overhyped and disappointing film.

Experience Goldfrapp for free!

Alison Goldfrapp

If you haven’t heard Alison Goldfrapp’s sensational singing voice, then here’s your opportunity to listen and download classic anthems for free – all thanks to The Guardian website.

The leading news website will feature a new track everyday for only this week to celebrate the release of the Seventh Tree Special Edition album, out on November 3rd.

I am a big fan of Goldfrapp. I’ve been to two live shows earlier this year and it was fantastic, in particular at the Royal Festival Hall on the Southbank.

Why do I like Goldfrapp? I just love the different music styles. From the ambient sound in Felt Mountain (Alison’s distinctive breathy, soft vocals and Will Gregory’s multi-layered synthesizer and string arrangements is simply spellbinding!), through to electronic music in Black Cherry to a more glam rock sound in Supernature, and most recently to a blend of ambient, folk, and electronic in Seventh Tree.

I was quite jealous of my work colleagues last week as they had tickets to see a one-off performance at Cecil Sharp House in Camden. The show was recorded as part of the BBC Electric Proms and you can see why I was envious by watching the video and observing the many photographs with this dedicate website.

Feeling left out in missing the event, I immediately booked some tickets after an email dropped into my Google inbox with the news that the band will be playing in Brixton Academy next month. I’ve never been to Brixton Academy before and have heard that this venue is the best place to see live acts.

Funny enough as I write this post, I just received my tickets for the show in the mail today (October 29th). And with that note, it’s time to celebrate with this awesome theme tune!

Jack Bauer returns with a two-hour prequel movie

24 Redemption

American action hero Jack Bauer returns in an upcoming movie that will bridge the sixth and seventh seasons of hit television drama 24.

Filmed on location in Cape Town, South Africa, and Los Angeles, 24: REDEMPTION stars Emmy Award winner Kiefer Sutherland along with new cast members Cherry Jones, Robert Carlyle, Gil Bellows and Academy Award winner Jon Voight.

After sacrificing everything for his country, Jack Bauer (Sutherland) is wanted by the U.S. government and now stands to lose the only thing he has left: his freedom.

Working as a missionary in Africa, Bauer is called upon to stop a ruthless warlord from drafting innocent children into his murderous militia. First, Jack must confront his own torturous past and face an impossible decision that will change his life forever.

A decision that will set the stage and raise the stakes for season seven, which debuts in January 2009.

Judging by this three-minute trailer (shown below), it’s great to see the action shifting to new surroundings after six years in downtown LA. I am quite excited by this movie and it will certainly renew my interest in the show after that frustrating strike that postponed the new series last year. Bring on November 23rd!

Goldfrapp’s Lovely Head in Magnetosphere form

Goldfrapp abstract

This is simply beautiful. The song is taken from Goldfrapp’s first album ‘Felt Mountain’ featuring the lovely voice of Alison Goldfrapp. I love how a part of the lyric from ‘Lovely Head’ grows and expands during the three-minute or so track.

How was this created? Well, read Processing artist Robert Hodgin’s blog on his idea of Magnetosphere and how it might be implemented into the new visualizer for Apple’s iTunes music player.

This new Processing technique could be the next step in how with visualise music. Even the Barbarian Group website’s page for Magnetosphere says that “We’ve had a ton of interest in it, and we’ve got some exciting plans, but it’s gonna take us a couple months to make it all happen.”

If Apple does take this concept, it would look breathtaking on every computer’s screen. This is especially true on my gorgeous 24-inch iMac!


Solar, with lyrics. from flight404 on Vimeo.

Why so serious?

The Dark Knight The Joker

After restoring credibility in the 2005 hit Batman Begins, British director Christopher Nolan returns to Gotham City with this highly anticipated sequel. In The Dark Knight, Batman (Christian Bale) squares off against a new foe: the Joker (the late Heath Ledger).

Nolan’s second Batman film is a more gritty, darker and brooding story. Certain scenes will leave a lasting impression that you never imagined and the sense of drama will continue to sustain disbelieve in how fantastic this film is. The Dark Knight is certainly the most violent, gripping and thrilling in the superhero series.

Christian Bale once again plays the Caped Crusader, sworn to fight the evil and injustice, though his perception of justice is causing an emotional and personal shift. It’s fascinating to see the talented actor playing on these themes that you emphasise with Bale’s flawed hero more than Michael Keaton, Val Kilmer and George Clooney. Bale is probably the best actor to play the Bruce Wayne/Batman character and his performance in The Dark Knight is first-class.

But it is Bale’s late co-star that steals the film. Heath Ledger is simply outstanding in the role of The Joker. He makes Jack Nicholson look like a cartoon figure! Yes, Nicholson was great in Tim Burton’s 1989 Batman but he takes it to a whole new level. Ledger’s character reveals a more sinister, twisted and psychotic side that it becomes deeply disturbing. With a cynical smile, he proclaims in a scene where Batman is a freak to the public, like the Joker himself. This also explains the balance of righteousness that Bruce Wayne is going through. The Joker is downright evil, and Ledger makes this performance legendary.

As for the rest of the cast, Aaron Eckhart performs superbly in the role of district attorney Harvey Dent. The transformation into Two-Face is truly fascinating and shocking.

Maggie Gyllenhaal is a great replacement for Katie Holmes as Wayne’s love interest Rachel Dawes. She shows a more sensitive and caring side towards Bruce, other than Holmes’ nearly flat performance in Batman Begins.

Sir Michael Caine and Morgan Freeman are perfect as Wayne’s ancillary staff playing the loyal butler and CEO of Wayne Enterprises respectively.

And special mention goes to Gary Oldman, who does a marvellous job of portraying Lieutenant James Gordon.

Moving on to the set pieces in The Dark Knight, the action sequences are nothing short of remarkable. It is really exhilarating in particular the opening scene with a high-tension, high-anxiety bank raid. Another outstanding moment was the duel between Batman’s bat bike and The Joker’s 18-wheelier. Fantastic!

The cinematography is also breathtaking. At one point, Batman travels to the Far East to track down a lead and to see Hong Kong in all its glory is stunning. Alongside the new Gotham City, the atmosphere and mood in The Dark Knight is a work of art.

I must applaud Christopher Nolan for his hard work in this film. Not only for writing a great story about corruption and chaos but also in casting great actors. Yes, The Dark Knight is Heath Ledger’s final performance but he is the main reason that makes this film so entertaining and thrilling.

This is by far the best Batman film. It certainly lives up to the hype. See it for Bale, for Ledger, for the music, the action and for Nolan’s flawless direction.

Indiana Jones and the Kingdom of the Crystal Skull – review with spoilers!

Indiana Jones movie

Oh dear… My childhood memories of high-speed chases, menacing Nazis and the pure sense of adventure when exploring different parts of the world looking for mysterious artifacts in the company of Doctor Henry Jones ‘Junior’ a.k.a. Indiana Jones has been shattered.

It has been 19 years since we last joined the part-time professor and archaeologist in his action-packed adventures. Over the time since Indy rode off into the sunset in the closing scene of The Last Crusade, the fourth film has been in ‘development hell’ in terms of creating the perfect story.

Director Steven Spielberg, executive producer George Lucas and Hollywood legend Harrison Ford rejected script after script, due to disagreement over the direction the fourth Indiana Jones would take. None of them agreed upon the story until the concept of setting it in the 1950s – during the Cold War and involving aliens – was taken further. Lucas suggested the crystal skulls to ground the idea and after some redrafts, Indiana Jones and the Kingdom of the Crystal Skull was ready to start shooting.

Spielberg wanted to maintain the ‘look and feel’ from his past three Indiana Jones films by not shooting the film digitally (unlike George Lucas with his Star Wars prequels). So when watching Kingdom of the Crystal Skull????????, you get the impression that it hasn’t been that long since The Last Crusade. The Oscar-winning director mentioned he wanted to do the action-scenes ‘old school’ by opting out of the use of digital effects, giving the sense of realism. In spite of this, the truck-chase scene set in the jungle ended up as CGI.

Despite being 65 years old, Harrison Ford still looks the part of Doctor Jones – outfitted in his trademark leather jacket, fedora hat and whip. Some critics might say he is too old to play the part of the adventurer but in Kingdom of the Crystal Skull, Ford still manages to pull off the action scenes with ease and confidence.

Karen Allen returns as Indy’s love interest by reprising the role of Marion Ravenwood. It’s amusing to see Marion and Indy together again, as the last time the pair made an appearance was Raiders of the Lost Ark back in 1981! Since that time, Marion has got married and had a son. Ah yes, the son that turns out to be a youthful and arrogant parody of Indiana Jones. From Spielberg and Lucas I got the impression that this character, Mutt Williams (played by Shia LeBeouf) could be the next action hero if they want to continue making Indiana Jones in the near future.

I hope not as Shia LeBeouf’s performance was dreadful. He might have made a grand entrance in the film by riding his motorbike, wearing the same outfit as Marlon Brando in The Wild One… His character – Mutt Williams – was simply annoying. His cockiness and banter with the older and wiser Jones wasn’t convincing and the image of Mutt swinging through the trees with his monkey friends during the truck-chase scene was unforgivable.

Worse still are the fellow cast members. Ray Winstone plays Indy’s friend ‘Mac’ who is either working with him or backstabbing the archaeologist by teaming up with the Russians. Ray’s character was simply irritating and I hated the way he called Indy ‘Jonesy’. Good for ‘Jonesy’ to punch him in the face every time he said it!

John Hurt plays Professor Harold Oxley who seems to be high after being possessed by the strange power of the crystal skull… He becomes ‘sane’ at the end but his presence wasn’t memorable in any way.

Jim Broadbent’s role was underused and he lacked the charm of Marcus Brody (the late Denholm Elliott) as Dean Charles Stanford.

As for Cate Blanchett, who played the villainous Soviet agent Irina Spalko, she was not scary or threatening when compared to other bad guys in the previous Indiana Jones films. It’s not the actress’ fault (she has won an Oscar for her portrayal of Elizabeth) and the blame lies solely on the material that was written for the part.

What about the new threat to Indiana Jones, the Russians? Well, I’m surprised to say this but the Nazis were more sinister in their evil ways compared to the Russians.

But the worst aspect of Indiana Jones and the Kingdom of the Crystal Skull is the main plot. After years of delay, you would expect a more convincing storyline than what is shown on the big screen.

Set in the 1950s, the film opens with a grizzled Indiana Jones being forced to locate a mysterious crate (that is highly magnetic) inside a hanger in Area 51 for the evil psychic Irina Spalko. After escaping the Russians (and dodging a nuclear blast by hiding inside a fridge!), Indy meets young Mutt Williams who tells him that his mother has disappeared and has sent him to ask Indy for help.

Following a trail of clues, Indy and Mutt travel to a South American jungle in search of Professor Oxley and Mutt’s mother. Decoding Oxley’s ramblings, Indy realises that he has to return a mysterious crystal skull to the lost golden city of Akator, while keeping one step ahead of the Russians.

It might sound exciting but compared to the previous adventures in Raiders of the Lost Ark, Temple of Doom and The Last Crusade, the new fourth Indiana Jones is a disappointment. The magic and appeal that made the first three films a delight is missing from Kingdom of the Crystal Skull and some of the scenes felt unnecessary, especially the chase scene in the jungle followed by giant flesh-eating ants!

I had high hopes, being a fan of Doctor Jones for many years, but I feel Spielberg and Lucas have betrayed my childhood memories forever with this horrendous film. It’s time for Indy to hang up his hat.

Juno

Juno scene

Rising star Ellen Page stars as a smart-talking 16-year-old Juno MacGuff, who gets pregnant the first time she has sex with fellow virgin Paulie Bleeker (Michael Cera). Unable to face the prospect of abortion, Juno decides to give up the baby up for adoption, so she finds a loving but childless couple Mark and Vanessa (Jason Bateman and Jennifer Garner) through the want ads in a local paper.

However, as she spends more time with the couple, she discovers that their marriage isn’t quite picture-perfect as it first appeared. Meanwhile, Juno’s father (J.K. Simmons), stepmother (Allison Janney) and best friend Leah (Olivia Thirlby) offer as much help as they can.

Nominated by four Academy Awards in the run up to this year’s Oscars, including Best Picture, Juno is an engaging and witty teen comedy written by a former stripper now blogger Diablo Cody. The script provides plenty of laughs with some razor-sharp dialogue throughout the running time of 96 minutes.

Ellen Page is fabulous in the leading role, with her enthusiastic personality and dry-wit. Some people may remember Ellen from her shining performance in Hard Candy back in 2005, in which many critics praised her for “one of the most complex, disturbing and haunting performances of the year”. With a nomination for the Best Actress award in the 2008 Academy Awards, Ellen is on route to becoming a future star of Hollywood.

As for the supporting cast, it is great to see several star names I recognised from past television and movie roles appearing in Juno. Michael Cera and Jason Bateman from Arrested Development, Jennifer Garner (Alias) and Allison Janney (The West Wing). Each of them playing their roles superbly alongside Ellen.

Even though the subject matter may seem controversial on the whole pregnancy/childbirth/adoption issue, director Jason Reitman (Thank You For Smoking) sets an up-beat tone with a great soundtrack, colourful production design and a delightful animated opening credits sequence. Despite the ‘feel good’ attitude, Juno manages to address the abortion versus adoption issue in a surprisingly mature way – with the final scenes in particular emotionally moving.

Probably the best independent film since Little Miss Sunshine, Juno is a hilariously teen comedy with delightful characters working with a fantastic script. Highly recommended.

Jack Bauer will be back… in 2009

Kiefer Sutherland jacket

Due to the 14-week Writers’ Strike in Hollywood – which has now been resolved – the latest season of Jack Bauer’s new nightmare day has been postponed until the following year.

American television network Fox has decided that the show’s seventh season will be delayed until January 2009 to ensure that Day 7 of 24 can air uninterrupted, in it’s entirety.

The show’s latest season was set to begin last January and run without a break, but in November, strike complications forced Fox to delay the season premiere to an unspecified time. Now, Fox has called 2008 a loss for the show and will run season seven in January 2009. Which is bad news for fans and Kiefer…

The crew has already shot eight episodes of this season, which sees the action move to Washington, DC, instead of Los Angeles. If Fox had opted to continue production of the show this year, there would have been a lengthy break before the newly produced episodes would air. Because 24 are heavily serialized, Fox wanted to ensure the seventh season was aired uninterrupted.

I bet Kiefer Sutherland is kicking himself, as the actor opted to serve a portion of his jail sentence for a DUI charge over the holidays in order to avoid slowing down the production of the show… Now it seems he has do something else to fill in the time before playing the role as the hard-charge CTU agent.

In addition, 24’s seventh season will be the first without co-creator Joel Surnow. He will leave his duties to pursue other projects.

Cloverfield

Cloverfield movie

Thanks to its clever viral marketing on MySpace and countless other websites devoting to the movie, J.J. Abrams’ ambitions homage to monster flicks takes a new step further by providing an unique viewpoint on a giant creature destroying Manhattan.

The film begins as if someone is watching a videotape that has been found after a mysterious incident in New York City, codenamed ‘Cloverfield’. We briefly see images of a young good-looking couple, Robert Hawkins (Michael Stahl-David) and Elizabeth “Beth” McIntyre (Odette Yustman) before we realise that someone has taped over their day at Coney Island with footage of Rob’s leaving party, before he heads off to Japan.

However, during the party there’s an attack on New York by an initially unseen monster and everyone runs for the streets, just in time to witness the head of the Statue of Liberty come crashing to the ground. With one of his friends still filming – Hudson “Hud” Platt (T. J. Miller) – in the same style of the Blair Witch Project, Rob and his friends risk their lives to rescue Beth before attempting to flee the city.

The action sequences in Cloverfield are pretty intense with echoes to the chaotic moments that followed 9/11, with buildings crumbling to rubble and panic in the city streets. The use of a video camera shot from the victim perspective is a distinctive step of documentary events as it unfolds. Sure, the camerawork might cause some viewers to become ill with the constant shaking and movement but in the age of Web 2.0 and YouTube, the director – Matt Reeves – handles the central concept extremely well, perfectly capturing the sense of fear and mayhem, while maintaining exactly the sort of breathless pace that you’d expect if you were fleeing a giant monster.

Cloverfield is certainly frightening that you left thinking that this attack could happen… The only criticism is all that running and screaming doesn’t provide enough characterisation or dialogue. In addition, we don’t get any back-story on why this monster is here in New York City stomping, eating and causing as much damage as possible.

Despite that, the film is superbly directed with some skilful use of editing – from the happier times of Rob and Beth to the horror of his close friends dying one by one… Cloverfield is an enjoyable thriller that adds a modern twist to the Godzilla-style monster movie, though it’s slightly let down by its characters and plot.